Archive for 2013

a study of delicacy

Two Fingers Meaning French English Longbowman Peace Hippy 1
Two Fingers Meaning French English Longbowman Peace Hippy 2

what eyes you have (piece two)

Ulam Cloth (Marilyn Monroe)
Ulam Cloth (Noomi Rapace)
Ulam Cloth (Marion Cotillard)
Ulam Cloth (Tilda Swinton)

what eyes you have (piece one)

Ulam Cloth (Patti Smith)
Ulam Cloth (Laura Marling)
Ulam Cloth (Alison Mosshart)
Ulam Cloth (Joan Jett)

how to waste a morning driving around england convincing yourselves you should break up because of a certain mixtape



what adam writes

because there are moments

(like when it suddenly hails
in spring
on sunday
when you were just about to get up
go out)

that temper you

then remind you

that if you had everything
(and i mean everything)
you’d stay in bed all day
with her

What I Like Most About This World

I like that someone can approach a locked door and, eventually, open it.

if i could end all suffering, would i?

i once watched someone i hold dear suffer and break

i watched her break

listen! i watched her break, and
it hurt like hell

for the both of us

and when she asked me to please
to just please hold her, i did
one of the hardest things i’ve ever done
and told her no

i watched her break, and heard her break, and
she asked me to hold her, for just a little bit

and i told her no

(if i could describe the look she gave me i would)

when she asked me why, why the fuck! i wouldn’t
hold her, i told her, “your suffering’s a growing”
and i left it at that

but, i wanted to tell her that suffering is
a growing pain, that the last thing i wanted was for my
compassion to cause the growth of her smile to wane, that
at nineteen i’d finally grown big enough to hold a pen, that
now i couldn’t see myself doing anything else again, that
people say those with the biggest hearts suffer the most, that
it’s actually the other way around the pole, and that i secretly think
nature has already answered every single question we pose

listen, i wanted to tell her about childbirth

about it being worth it, about how pain teaches us what to do
and what not, about the death of the blissful neanderthal, and about
how people with congenital analgesia can’t tell when they’re in danger

but i didn’t, have the words then
and now that i do, i’m telling you too
please, listen

i once watched someone i hold dear suffer and break

i watched her break, and heard her break, and
it hurt like hell

her smile’s pretty big these days, and
though i don’t know if it’s, if i’m, absolutely right
i have a hard time calling it wrong

and these days, she bites my lips, and i bite hers
and she talks about the pain being worth it

go figure

breaking news!

breaking news! young man throws bricks at windows
figures out what he wants to be when he grows:

brick one fell
on a mad man
and he made toe sound

brick two fell
on a wise man
and he made no sound

brick three fell
on a dead man
and he made no sound

my manic and i, her perspective and mine

her perspective:

and mine:
i want to die in a lake in geneva, the mountains can cover the shape of my nose. i want to die where nobody can see me but the beauty of my death will carry on so, she doesn’t believe me. when i greet her with kisses when good days deceive me and sometimes with scorn and sometimes she believes me. and sometimes she’s convinced (her friends think she is crazy), get’s scared and calls me but i’m usually hazy. by one in the morning, day is not ended, by two i am scared that sleep is no friend, and by four i will smoke but i cannot feel it, sleep will not come because sleep does not will it and, she doesn’t believe me. morning is mocking her.

she’ll wander the streets avoiding them eats until the ring on her finger slips to the ground. a gift to the gutter, a gift to the city, the veins of which have broken her down. and she doesn’t believe me, morning is mocking her.

all the gods that i believe never fail to amaze her. i believe in the truth of my god of all things, but she finds me wrapped up in all manner of sins; the drugs that deceive me and the girls that believe me.

i can’t control you, i don’t know you well, these are the reasons i think that you’re ill. i can’t control you, i don’t know you well, these are the reasons i think that i’m ill.

and since last that we parted, last that i saw her, down by a river silent and hardened, morning was mocking us, blood hit the sky, i was just happy, my manic and i. i couldn’t see her, the sun was in my eyes, and birds were singing to calm us down. and birds were singing to calm us down. and i’m sorry young girl, i cannot be your friend! i don’t believe in a fairytale end! she doesn’t keep her head up all of the time. she finds she cries when her heart meets her mind.

though i hardly know you, i think i can tell, these are the reasons i think that we’re ill. i hardly know you, i think i can tell, these are the reasons i think that she’s ill. and the gods that i believe never fail to disappoint her. and the gods that i believe never fail to disappoint her.

…though nihilist, my happy girl (my manic) and i have no plans to move on. the birds are singing to calm us down. and birds are singing to calm us down.

and ours:

a written warning

lover, please, do not fall to your knees
for me

i was happy before i met you

see, my sister teases, tells me
i used to believe this and that
i was real, real, real
short, but i smiled a lot

she knows the pictures i clutch
and says i cried a good little

but damn how locked hearts break a lot

and at nineteen i went crazy and
stopped believing, in everlasting love, and
realized i’d been staring at empty chairs
thinking of the ghosts that once sat there

of the ghosts, of the ghosts, of the ghosts
of the ghosts that broke my heart before i met you

however, i’m better now, but i’m not
at all well, so i still do that sometimes

now lover, listen how i don’t
cry good anymore, how i break bad
and how this shit’s my jam! so please
do not fall to your knees for me